I was working on finishing up a roll of film at the end of December. I’d put in an order for my next batch of film to be processed, and I was determined to get it sent out before the post office closed for Christmas. We’d just arrived in Alabama a couple of days prior, and despite not having visited in over a year, I was having a hard time finding compositions I liked. I kept thinking about the work that has been shared by photographers I admire. I imagine the photographs I would make in those locations: the big cities, the mountains, the small towns, the various coasts. But I don’t live in a big city, or on the coast, and my small town doesn’t seem picturesque. A part of me hoped that getting away from my everyday surroundings would mean being surrounded by interesting subjects and compositions. And yet, I found myself at a loss.
Olympus Infinity Stylus | Kodak Colorplus 200 Alabama, 2024 |
Fujifilm XT-5 | Fuji XF 35mm f/2 R WR Pennsylvania, 2025 |
Fujifilm XT-5 | Fuji XF 35mm f/2 R WR Pennsylvania, 2025 |
As mundane as my town is to me, it would be a lie if I said that there isn’t a certain happiness I feel when driving through the rivers and mountains in our part of the Appalachians. I think about the collections of photographs that others can put together, and I ask myself why I can’t do the same. I certainly have a large number of photos that I’ve yet to publish, but it’s difficult for me to group enough of them together to justify a dedicated post. But maybe I’m looking at that wrong, too? Maybe my subject is The Mundane. Now that I’m shooting film regularly, I’m a lot more conscious of my photography. I don’t have a delete button or the luxury of some inconceivable limit on a memory card— each frame costs me real time and money. Maybe this is why I take so long to finish a roll of film. I question myself frequently about whether a shot is “worth it” or if I feel I already have too many like it. I think that I can certainly afford to be more trigger-happy. I find myself missing shots from second-guessing myself on a semi-regular basis. Many of my favorite photographs are made from moments where I saw something I liked, composed, and took the shot. Not the moments that I had to mull over for several minutes before deciding to make something of it.
Fujifilm XT-5 | Fuji XF 35mm f/2 R WR Pennsylvania, 2025 |
I may not be comfortable with how mundane a lot of my photographs feel, but it’s something that I’m going to work toward. My Mundane may not look like yours, but it’s not supposed to. And maybe the beauty I find in others’ work is the same beauty someone will find in mine.
Leica M4-P | Voightlander Color Skopar 35mm f/2.5 P II VM | CineStill 50D Pennsylvania, 2025 |
So, here they are: the places I've been, the places I frequent, and the life I live. The moments and the frames that have never felt special enough, significant enough, memorable enough. Here are my life's in-between moments that deserve their place on film or on a memory card. They're mundane to me, but maybe you'll like them. If I'm honest, I like them, too.
Olympus Infinity Stylus | Kodak Colorplus 200 Pennsylvania, 2025 |
Olympus Infinity Stylus | Kodak Colorplus 200 Pennsylvania, 2025 |
Olympus Infinity Stylus | Kodak Colorplus 200 Alabama, 2024 |
Leica M4-P | Voightlander Color Skopar 35mm f/2.5 P II VM | CineStill 50D Pennsylvania, 2025 |
Leica M4-P | Voightlander Color Skopar 35mm f/2.5 P II VM | CineStill 50D Pennsylvania, 2025 |
Nikon F3 | Nikon Series E 50mm f/1.8 | Kentmere Pan 400 Alabama, 2025 |
Nikon F3 | Nikon Series E 50mm f/1.8 | Kentmere Pan 400 Alabama, 2024 |
Nikon F3 | Nikon Series E 50mm f/1.8 | Kentmere Pan 400 Alabama, 2024 |
Nikon F3 | Nikon Series E 50mm f/1.8 | Kentmere Pan 400 Alabama, 2025 |
Nikon F3 | Nikon Series E 50mm f/1.8 | CineStill 800T Alabama, 2024 |
Nikon F3 | Nikon Series E 50mm f/1.8 | CineStill 800T Alabama, 2024 |
Nikon F3 | Nikon Series E 50mm f/1.8 | CineStill 800T Alabama, 2024 |